by Robert Brockway
This is a badass book.
First, I mean that quite literally: it’s a punk book, with a punk character, written by a guy who wrote in his dedication that this should show all those people who said he was wasting his time going to all those punk rock shows – so I’m guessing he’s a punk author.
It reads like it. Carey, one of the main characters (There are two, as the book has two settings about 25 years apart) sounds spot on to what I imagine a punk in 70’s New York City to be: angry when he’s not indifferent, violent when he’s not wasted, wasted when he’s not broke. Always going to shows, always spending time with his friends, and criticizing and attacking every single element of his life and world, always trying to peel away the artifice and reveal the truth beneath, even when – especially when – that truth is ugly. As Carey himself often is. But he’s also a hell of a lot of fun to read.
The other main character, Kaitlyn, is also a badass, because she’s a stuntwoman, with the attendant skills, interests, and adrenaline addiction. Her story is set in 2010-ish, in LA, of course. Her story has a strong feel of peeking behind the curtain, as she is not, and does not want to be, an actress: she’s one of those rare people who really wants to be behind the scenes, essentially, at least not with her name in lights. She wants thrills, not celebrity; for the most part she’d be happy with steady work so she can quit waitressing.
The second reason this is a badass book is because Brockway has created a set of supernatural creatures that are thoroughly badass, in more than one way. Mainly, they are absurdly difficult to fight, because they are essentially unbeatable, unbreakable, and entirely deadly; you can win a fight against them, but they’ll just come right back the next day. And since they can make more of themselves, there’s really not much hope for humanity.
They’re also badass because they aren’t anything I’ve ever read before: Brockway created them. He calls them angels, because one of their forms is a geometric shape made of light; but they’re neither heavenly nor beneficent. Another of their forms is a human, but only on the outside; on the inside is –something else. Something deeply disturbing. Their third form is made by these disturbing creatures: it is a human, but one without a soul; at least, that’s the easiest way to describe it. That’s not how Brockway describes it. His way of talking about this group of enemies is interesting: they are forgettable. When you see them, your instinct is to look away, to forget you ever saw that person. These are the namesakes of the book, as there is something about these people that makes them impossible to remember; you can meet one, touch it, talk to it, even think it’s hot – but you can’t describe it. It is Unnoticeable.
Their final form? (Unintentional reference. Also, I have gone down in power, not up. The angels are the most dangerous and the hardest to deal with. But still, these are rough.) A giant man-sized mound of goo, which dissolves anything human it touches, like a walking (Well, oozing) acid bath. Those are the ones that Carey figures out how to kill, actually. The other ones he can’t kill, or at least so it seems. Doesn’t stop him from fighting them, though. And maybe – maybe – he can win. Sometimes. A little.
The absolute best part of this book, for me, was the motivation of the creatures, their reason for doing what they do. It’s just so goddamn clever, and poetic, and beautifully chilling. It’s one of those ideas I wish I had had, but since I didn’t, I will gladly go on reading Brockway’s story about them, and also, anything else of his I can find.
Because this is a badass book.